Tuesday, December 18, 2018
'Grapes of Wrath Chapter 25 Analysis\r'
'The cold, soaked kingdom, which was a source of life not too yen ago, abducts a young child while the bewilder can only watch hopelessly as the husband shovels mounds of dirt. This event is not too antithetical than most that citizens living during the Dust Bowl had to fold with. The self-destructive nature caused the American wad to prolong got expanding and shaping the bring down as they saw fit.Because of this they overworked the land which, combined with drought, caused the Dust Bowl. The great(p) corporations currently bought place most of the land in the Mid-West and many families were soon forced to make their living by otherwise means. The commove of these families out west to a peculiar(a) number of jobs damaged the United States economy. In Chapter 25 of the Grapes of passion, John Steinbeck summarizes the benevolent nature of self-destruction ca exploitation the corporations to designatecase their avariciousness and how it affected the laborers of atom ic number 20.Steinbeck begins the section by painting a picture of atomic number 20 in ( carve up 1 and 2) in order to show how bewitching the demesne was when it was untouched by corporations. Steinbeck sets up many metaphors and images that he sums up towards the end of the chapter. He names a sightly atomic number 20 in which ââ¬Å"fruit blossoms be fragrant pinkââ¬Â and flower petals ââ¬Å"carpet the earth with pink and white. ââ¬Å"; using spring colors much(prenominal)(prenominal) as pink, white, and greenish to how atomic number 20 was attractive and peaceful.The beautiful, voluptuous grace that Steinbeck describes also draws parallels to the tend of Eden when expound as fertile with fruit; so oftentimes so that ââ¬Å"little crutches must be place under them(the branches) to support the weightââ¬Â just as the Garden of Eden was described as being plentiful with fruit; demo the transformation of a place that is generally regarded as the most bea utiful place while also enhancing the degree of lulu that California has. Steinbeck describes the California hills as ââ¬Å"soft as breastsââ¬Â and how it ââ¬Å"quickens with produceââ¬Â; details that show how Steinbeck sets the state up to be a nurturing, pregnant mother.In (paragraph 3), Steinbeck starts to describe the symbol of workforce who work on the nurturing mother that is California. Steinbeck uses polysyndeton when describing these manpower show all wonderful qualities they possess, such as ââ¬Å"sympathy and knowledge and skillââ¬Â showing how highly Steinbeck regards these work force; arguing that the manpower atomic number 18 of the highest order of human beings He then uses asyndeton to show the countless cadence of plagues that the manpowers techniques can overcome such as ââ¬Å"the molds, the insects, the rusts, the blightsââ¬Â again showing how important Steinbeck thinks these custody ar.Steinbeck continues to figure of speech these hand s up by describing them as ââ¬Å" workforce of knowledgeââ¬Â; again referencing California as the Garden of Eden by comparing the men to the channelise of Knowledge which serves as foreshadowing as the tree of Knowledge bore the forbidden fruit that caused the come to pass of man. Steinbeck continues his mother metaphor by depicting the men as children of the nursing California. In (paragraph 4 and 5) Steinbecks relish and diction change as he describes the men as the years go by to show how the men are destroying the land they once conservatively cultivated.He shows the shift of the men to destructive techniques by using words like ââ¬Å"destroyingââ¬Â and ââ¬Å"tearingââ¬Â as impertinent to ââ¬Å"delicateââ¬Â and ââ¬Å"carefullyââ¬Â to further his idea that the men are changing. The fruit is no longer support by the crutches but ââ¬Å"sags down against the crutchesââ¬Â showing how the men are now actually destroying the land of their nurturing mother. Steinbeck begins his ââ¬Å"grapes of cholerââ¬Â metaphor by describing the grapes as ââ¬Å" growth weightyââ¬Â; signifying the rage that the common lot feel towards the ââ¬Å"menââ¬Â who, in reality, are the large crop owners and the argot owners.The men are also ââ¬Å"proudââ¬Â of their efficiency to make the crops heavy with produce and ââ¬Å"transform the populace with their knowledgeââ¬Â; drawing parallels to the big bankers and crop owners who ill-used the poor people in order to convention the world the their likening. Steinbeck finishes the section with another engagement of asyndeton to describe all of the things that these men can do to ââ¬Å" force the earth to produceââ¬Â or in unexampled terms: control the wealth of the country.In (chapters 6-13), the landscape of California changes for the worst as Steinbeck tries to describe the damage that the men have inflicted on California. Steinbecks diction with words such as ââ¬Å"rotââ¬Â, ââ¬Å"wasteââ¬Â, and ââ¬Å"decayââ¬Â plug in the former Edenic Califronia with a deathly image. This diction corresponds with the shift in imagery that shows ââ¬Å"meat turning sad and crop shriveling on the scopeââ¬Â along with ââ¬Å" sour shreds(of cherries) hanging from them(the seeds)ââ¬Â; further depicting the change of landscape of California.Instead of ââ¬Å"valleys in which fruit blossomsââ¬Â, the valley expels an ââ¬Å"odor of seraphical decayââ¬Â showing the horrible state that California has turned in to under the guidance of the ââ¬Å"understandingââ¬Â men. Steinbeck also uses strong imagery to depict plentiful pears go ââ¬Å"heavily to the ground and splashing on the groundââ¬Â; a symbol Steinbeck also changes the important theme of colors from the beautiful pink and green of the former California to a deathly black. Steinbeck also uses the vernacular of Californians to show the panic that the farmers feel by expressing such phrase s as ââ¬Å"We cant do it. and ââ¬Å"We cant pay wages, no matter what wages. ââ¬Â putting the reader in to the mastermind of the farmers to experience that panic and desperation they felt. Steinbecks strong imagery is used again to depict plentiful pears falling ââ¬Å"heavily to the ground and splashing on the groundââ¬Â; a symbol for the failing system the farmers have that is causing their lives to fall, splash, and explode on the ground. Paragraph 9 goes on to present an example of ââ¬Å"rotten, wasp-stungââ¬Â grapes that correlates to the ââ¬Å"swellingââ¬Â grapes of paragraph 1.The swelling grapes would be used to make all right wine that has a connotation of being beautiful and delicious while the rotten grapes would make an filthy wine which is generally regarded as sickening and nauseous; nothing more than a concoction of mildew, formic acid, tannic acid, and sulphur. These two wines represent the country from which they are made, the good wine being the beautiful California and the sickening wine being the deathly country that the men created. (Paragraphs 18-23) show Steinbecks complete opinion that the corporations or ââ¬Å"menââ¬Â and how they destroyed California and the lives of the oor. Steinbeck shows the sorrow of the fact by describing the ââ¬Å"carloads of oranges dumpedââ¬Â and then being fire along with the pigs being slaughtered then letting the ââ¬Å"putrescence flatten down into the earth. ââ¬Â He then chooses to reveal his dissertation at the beginning of this section to signify his enwrapped of exposing the detriments of the men. Steinbeck transitions from calling the farmers to ââ¬Å"the peopleââ¬Â; signifying that the poorly treated farmers are meant to be the American population of the 1930s.This is meant to show the injustice that the poor people had to go through and the greed that the corporations exemplified. The fruit that people come for is burned for no other reason than that it benef its the big crop owners; showing more injustices that the ââ¬Å"peopleââ¬Â endure. The oranges are ââ¬Å"golden mountainsââ¬Â when they are being burned; an allusion to the way the men, or corporations, burned the soft green hills of the former California because of greed.In paragraph 22, Steinbeck uses anaphora to show the succession of horrible events that the people endure culminating to a ââ¬Å"failure that topples all success. ââ¬Â Steinbecks usage of grotesque imagery such as the children death of pellagra is meant to accuse the men of killing these children with their crimes. At the very end of the chapter, the anger is building in the people as the guards can see the ââ¬Å"growing wrathââ¬Â in ââ¬Å"the eyes of the hungry. ââ¬Â The pregnant mother is again used, only this time she is ââ¬Å"heavy withââ¬Â or birthing the rage of the people.This is a call to work on by Steinbeck meant to spur the impoverished people of California to revolt as Jim Casy and Tom did. Chapter 25 of The Grapes of Wrath serves as Steinbecks critique of American society in the 1930s. He analyzes the events of the Dust Bowl and how American people and corporation heads reacted to it. Steinbeck that the laborers of America needed to rise against the big corporation in order to better their lives. Steinbeck summarizes by calling the American people to act on the injustices that they endure and better their country.\r\n'
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