How Artists Represent the World Essay

abstraction cheatists have been greatly criticized and underestimated for their lack of culture and mundaneness produced in their artistic productionwork. Interpreting, reading and deriving meaningful, useful information from abstract art requires the highest level of creative skills, and the about developed and trained ideas. Learning how to grasp messages from art takes just as many years of conscious try as the traditional forms of education. As a result, art perception is non a significant part of formal education, dismissing arts literacys importance as requiring a special gift. The Beginning, painted by Barnett Newman, appears to be very simple, basic, nothing more than colorful lines pasted against a dismal accent. His (Newmans) icons can seem to be barely doing anything at all, and yet, given sentence and attention, they reveal depths and subtleties of immense force. (Denny, 2002) The Beginning clarifies the underlying patterns and natural order of action scien ces, shows the in palpable connections from the sky to the ocean, and forever creates new lifes beginnings.The Beginnings is an stick out of a crystal ball used as a windowpane for scrying into the ocean, and eventually seeing a mirroring effect of reality. All artwork, including abstract and surrealism, created only when from imagination is a window to look into reality. Alberti, in his De pittura (1435), harnessed the proficiency of perspective to the theory that painting is an imitation of reality. He viewed the picture scan as a window through which one looks at the visible world. (Perspective, 2007) Realism art is a mirror image reflecting tangible exist objects.Realism art is definite, showing what the artist actually sees as he or she is making up the painting. Abstract art is a hazard more complexed, but is still realistic. One of abstract arts significant contributions is clarifying the underlying patterns, and the natural order of universal life, forcing deeper spli t of the imagination that normally go unused to be activated. Using imagination to interpret art helps us to understand the facts that are hidden from us. Abstract paintings are nothing more than a mixture of colours.Whitehead systematically elaborates in his imposing Process and Reality (1929), going so out-of-the-way(prenominal) as to suggest that process, rather than substance, should be taken as the primal metaphysical constituent of the world. (Irvine, 2003) Barnett Newmans abstract, The Beginning, background color is apparently primeval morning sky naughty or a blue sea. Metaphysically, the sea and the daybreak sky symbolizes new beginnings. The sky submits a new day, everything pertaining to the sea or water symbolizes a new life, translating into life as having unceasing new beginnings, reflecting a reality we can never touch.Reality is constantly moving and changing. The sky and the sea also symbolizes movement. Using the alleged symbology of the colors and the n ame of the art as windows, we understand Newmans interpretation of realism, or actual visual images of the reality of life occurring in nature. The structure or underlying pattern of the atmospheres progressions can be viewed in The Beginning. Chaos theory reveals an underlying pattern and order that is hidden in natural phenomena that before were considered to be merely random. Peirce, 1996 Assuming the unobjectionable blue dominating most of the abstract represents the sky or the sea, and the alleged symbols represent the beginning of a new eternity, Newman is implying that this is the hidden underlying basis of what everyone pattern had no beginning, such as lightning falling from the sky. Looking at the painting right side up, lightning bolts are coming from the sky in preposterous colors. To the center left at the very bottom is a tap of darker blue upon impact of the lightning bolts hitting the sea. The lightning bolts are in red, jaundiced and purity offset colors.Betwe en the red and white lightning bolts, a blue luminousness bolt is coming down, but does not have enough power or force to complete the journey. The lightning bolt blending in with the background spatial point stops before reaching its destination. It would be a mistake to think of a spatial point as beingness anything more than an abstraction instead, real positions involve the entire series of lengthy volumes. (Irvine, 2003) The lightning bolt unable to reach its destination can also be the beginning of a pattern of sequential events. The white lightning bolt is the most powerful or forceful object in the painting.A light red line runs down the center of the white lightning bolt, making the loudest slosh around into the sea. Then the pattern starts over. To the left is the weakest lightning bolt. Angling from the upper left deferral is a vivid red appearing to ending up in front of the splash where the white bolt hit. To the far right is the yellow lightning bolt, perhaps sta rting its own pattern of sequential events of connecting life mingled with the sea and skies. Studying the process of art can provoke the wildcat well and initiate the journey within. (Lodato-Suppa, 1996) Barnett Newman was famous for painting colorful bands calling them zips on sky blue canvases.It appears like there was nothing to it. (Ned Denny). Visualizing art is the homogeneous thing as listening to or composing music. The impact of art speaking directly to the subconscious is so powerful the mind is on the whole overtaken by its presence. Music and painting selections incorporated into everyday life should be taken with great caution because of its powerful effect on the mind. Interpreting art is a tool guiding us one after another on lifes journey.ReferencesHall, D. , Mills. , H (1996) The Society for the Advancement of fanciful Scientific Thinking Society Charter Retrieved March 15, 2008 http//ibiblio.org/scst/charter. html Irvine A. D. (2003) Alfred northeastward W hitehead Stanford encyclopaedia of Philosophy Retrieved Retrieved March 15, 2008 Newman, Barnett. (2007). In The capital of South Carolina Encyclopedia (6th ed. ). New York Columbia University Press. Retrieved March 15, 2008, from Questia database http//www. questia. com/PM. qst? a=o&d=112876047 modern-day Art. (2007). In The Columbia Encyclopedia (6th ed. ). New York Columbia University Press. Retrieved March 15, 2008, from Questia database http//www. questia. com/PM. qst? a=o&d=112853364 Perspective. (2007). In The Columbia Encyclopedia (6th ed.). New York Columbia University Press. Retrieved March 15, 2008, from Questia database http//www. questia. com/PM. qst? a=o&d=112879220 Denny, N. (2002, October 7). Nothing to It Ned Denny Discovers Great Depths and Subtleties in Emptiness. New Statesman, 131, 40+. Retrieved March 15, 2008, from Questia database http//www. questia. com/PM. qst? a=o&d=5000662917 Lodato-Suppa, P. (1996). waking up Picasso Learner/teacher as Artist. Educati on, 117(1), 106+. Retrieved March 15, 2008, from Questia database http//www. questia. com/PM. qst? a=o&d=5000436049